﻿Url	 Resource class 	Title	Creator	Subject	Description	Date	Type	Format	Identifier	Language	Rights	Abstract	 Bibliographic Citation 	Degree	 Department or school name within institution 	Note	 History note 	Note
https://wou.omeka.net/s/repository/item/14781	dctype:Text	 Preservando Tradiciones: The Influence of Charreria in Oregon 	 Camila Getzemani Villastrigo Campuzano 			2025-12-15	Text		honors_20251215a	eng	 Western Oregon University Library has determined, as of 12/15/2025, this item is in copyright, which is held by the author. Users may use the item in accordance with copyright limitations and exceptions, including fair use. For other uses, please ask permission from the author. | https://rightsstatements.org/page/InC/1.0/?language=en 	 Mexico is a country famous for its culture, from the language, food and music that has become a part of mainstream US media. One part of this culture that often gets overlooked is its national sport, Charreria. This sport involves El Charro, a sportsman well-dressed wearing his iconic sombrero, who shows his dominance over horses and bulls. This is an examination of the history of charreria, particularly a focus on the sports presence in the state of Oregon. I want to look at why charreria isn't as well known as other Mexican events like jaripeos and bailes. I want to know what is being done or can be done to share the sport with a wider audience. The charro is an iconic figure in Mexican culture; it is widely recognized, yet how many people know who he is and what he stands for?
I plan on accomplishing my goals in two main ways, through interviews and classic methods of research in both Spanish and English. These interviews will be with real charros and escaramuzas in the state of Oregon. I have access to many families and people who play an important role in the sports presence in Oregon, possibly in the United States. I also plan on doing a lot of research in both Spanish and English (using my bilingualism to its potential) to find the answers to all of my questions or at least the bigger ones. 		 Undergraduate Honors Thesis/Project 	Honors	 Ricardo Pelegrin-Taboada 		 Gavin Keulks 
https://wou.omeka.net/s/repository/item/4134		 Heroes or Villains: Placing Narcocorridos in the Mexican Corrido Tradition 	 Sarah Berry 	 corrido tradition | narcocorrido 		4/1/2012	Text		pat/3	eng	 Western Oregon University Library has determined, as of 05/31/2023, this item is in copyright, which is held by the author. Users may use the item in accordance with copyright limitations and exceptions, including fair use. For other uses, please ask permission from the author. | <a class="uri-value-link" target="_blank" href="http&#x3A;&#x2F;&#x2F;rightsstatements.org&#x2F;vocab&#x2F;InC&#x2F;1.0&#x2F;">http://rightsstatements.org/vocab/InC/1.0/</a> 	 In this paper I sought to understand whether narcocorridos represent an aberration or a continuation of the corrido tradition. Drawing upon the subaltern theories advanced by Antonio Gramsci, we find that corridos represent a form of cultural communication in an extremely class stratified society. The concept of the social bandit as conceived by the British Marxist historian Eric Hobsbawm sheds further light on how and why heroes—or anti-heroes—are treated not only as real men, but archetypal manifestations of agency and self-determination that is out of reach for all but a few. Exploring the historic roots of the Mexican corrido we see that the narcocorrido is deeply rooted in Mexican culture, and like the traditional corridos of the Revolutionary period represent a narrative attempt to reconcile complex and often contradictory elements of daily life in a country ‘at war.’ 	 Berry, Sarah. “Heroes or Villains: Placing Narcocorridos in the Mexican Corrido Tradition.” Paper presented at the Phi Alpha Theta Pacific Northwest Regional Conference, Spokane, Washington, April 12-14, 2012. 			 John Rector 		
https://wou.omeka.net/s/repository/item/2613		 Cinco de Mayo 1992 	Undetermined	 Cinco de Mayo | Mexican Culture | Mexican-American Culture | Multicultural Student Union (MSU) 	 Members of the group Flor y Canto of Forest Grove performing on campus for the 1992 Cinco de Mayo celebration, sponsored by WOSC's Multicultural Student Union (MSU) 	May-92	 Image; StillImage 	 Photograph as a jpg image (144 dpi, pixel dimensions- width: 1012, height: 737) 	omeka/1911		 Copyright Not Evaluated: As of 05/28/2020, the copyright for this item has not been investigated by Hamersly Library. | <a class="uri-value-link" target="_blank" href="http&#x3A;&#x2F;&#x2F;rightsstatements.org&#x2F;vocab&#x2F;CNE&#x2F;1.0&#x2F;">http://rightsstatements.org/vocab/CNE/1.0/</a> 							
